Jan Abrahamsz Beerstraten was the eldest and most successful of an artistic family. He specialised in wintry views of Dutch townscapes and lived in Amsterdam where he produced his earliest dated scenes in the 1650s.
Merseyside
And When Did You Last See Your Father? By William Frederick Yeames (1835-1918)
On the third Sunday of June each year we celebrate Father’s Day and the important role which fathers play in our society.
Mother and Child by James John Hill (1811-1882)
Mothering Sunday was once the day on which people would visit their “mother” church, but has now become an occasion for honouring the mothers of children.
Madonna and Child with Saints Catherine, Nicholas and Francis by Vincenzo Catena (c.1470–1531)
Christmas is the one time of year when busy families make the time to come together, to share stories, food and gifts and to reconnect as a loving unit. This is quality time is which is all the more important when there have been new arrivals to the family. During an often frantic period, this painting from the early sixteenth century can still offer a few moments of calmness and reflection. It reminds us of the importance in spending time with one’s children and in making time to visit one’s extended family and friends. But it also prompts us to remember the religious significance of Christmas and how we should strive to be generous of our time and resources to others.
Woman Ironing by Edgar Degas (1834-1917)
Along with others such as Claude Monet and Auguste Renoir, Degas is regarded as one of the founding fathers of the Impressionism movement. Impressionism is credited with laying the foundations for much modern art as it transgressed many longstanding traditions in painting.
Cutter in a Swell (The Yacht ‘Diadem’) by Tommaso de Simone (1805–1888)
The subtitle of this work describes Diadem as a yacht in order to differentiate her from many other larger warships of the same name that served the nation in our Royal Navy’s long and illustrious history. In the rating system of the Royal Navy ‘cutter’ was the lowest classification, but they frequently served important supporting roles. Cutters were designed to be light and fast and their rigs were designed to give excellent manoeuvrability. Because of this, in the nineteenth century, they were often used for coastal patrol, transferring important personnel or for small ‘cutting out’ raids, attacks on larger boats by smaller vessels.
‘What is it?’ by Henry Stacy Marks (1829 – 1898)
The young Henry Stacy Marks was a keen artist and showed such little aptitude for business that his father preferred him to go to art school than to join the family firm of solicitors. It turned out to be a prescient decision as the business failed and Marks had to support not only his wife but his mother and three younger brothers on the proceeds of his art.
Pre-Raphaelites: Beauty and Rebellion Walker art Gallery, Liverpool
This exhibition was first mooted by curator Christopher Newall nearly a decade ago. It seems incredible that it has taken this long for the Walker to celebrate the City of Liverpool’s longstanding association with one of the most significant British art movements. Particularly given the enduring popularity of the Pre-Raphaelite Brotherhood and the wealth of its treasures held by the galleries of Merseyside.
Liverpool has always had a mischievous, rebellious side, one which has both attracted and nurtured creatives and the leftfield. Thus it was only natural that a small group of rebellious, hot-headed young men found a ready audience for their work in this city. (more…)
Break-up of the ice on the Seine, near Bennecourt by Claude Monet (1840-1926)
Monet was the founder of French Impressionist painting and his style defined the movement. Impressionism was a term coined by a journalist using the title from one of Monet’s first works and was intended to be disparaging and dismissive. The combination of broad brush strokes and everyday subject matter contrasted heavily with the more formal painting styles of the early nineteenth century, and led critics to call this work a mere impression rather than a finished work.
Monet sought to capture the changing effects of light on landscapes and would frequently capture the same scenes at different times of the day or even different times of the year. As an aid to authenticity, he pioneered the painting of subjects en plein air, or outside; a task made much easier by the development of ready mixed oil paints. Known mainly for his paintings of the lily pond and Chinese bridge in the extensive gardens of his house at Giverny in Northern France, Monet was equally intrigued by all landscapes whether natural or man-made.
Echo and Narcissus by John William Waterhouse (1849-1917)
Visitors to the impressive Victorian Gallery at the Walker Gallery in Liverpool are often struck by this imposing canvas and the tragic tale of unrequited love it so romantically illustrates. Echo and Narcissus is an episode from the epic Roman poem Metamorphoses written by Ovid around 2000 years ago.
Narcissus, as the son of a god and a nymph, was a young man possessed of both grace and beauty. As a child his parents were told that he would have a long life if he did not look at himself. Throughout his youth he rejected all the nymphs and women who fell in love with him. One of these was the nymph Echo. A tragic figure once punished by a goddess for her constant chatter, Echo was confined to repeating the words of others. Hopelessly obsessed with Narcissus she tried to win his love using fragments of his own speech but he spurned her attentions. Echo was so upset by her rejection that she withdrew from life and wasted away until all that was left was a whisper. Her prayers were heard by the goddess Nemesis who cursed Narcissus to fall in love with his own reflection. Obsessed by his own image, he continued to look at his reflection, forgoing all food and water until his death. A narcissus flower grew on the riverside marking the spot where he died.
Michael Escolme 